Best Before Records

Interview with Anthony Shaw

- can you tell us the history of Best Before Records and the philosophies your label has?


A: We are owned by a company called Channel Fly. This company owns all the Barfly's around the UK,as well as owning The Jazz Cafe, The Forum, The Borderline, The Garage and the Hammersmith Apollo. I am good friends with Be Rozzo, one of the co-founders of Channel Fly and he approached me after I had been running the day to day management of a band called Muse for four years. At first, I didnft want to start a record company because I was very worried that it would lose money, as many record companies do nowadays. I wanted to create a production company which is what my last job at Taste Media was, where we sign a band, make a record and then license it on to someone else.

However Adam Driscoll, who is the CEO of the entire group persuaded me to actually start up a proper record label instead. So we set-up a five year plan and aimed to sign bands that had played at the Barfly, so indie-rock bands mainly. I really wanted music that was made up of really strong songs that the artists could play well live and wanted to play a lot. We have been around for three years now and we have signed three artists and we have three more artists that we are trying to sign. Our goal is to take the time to develop our artists and help them to make a name for themselves as well as licensing them abroad to give them a good international platform.

- Can you tell us about your artists that you have signed?
A: The first band we signed was The Heights. It was actually the very first demo I opened for the new Best Before Records! I thought someone was winding me up because I have opened thousands of demos before and 99% of them are not interesting at all. When we first saw them play, we saw the potential but in general, they didnft seem to be gelling as a band and we reckoned it was because they werenft touring enough. So the first thing we did was put them on tour and they toured for around two and a half years solid. We would put them in the studio during that time to get some tracks done and we ended up with about 30 tracks. If I had to describe them, I would say that they sound like The Strokes & Foo Fighters; an American sound but with a British angle with really catchy choruses.

 

Youtube : The Heights - For Real

We also have The Morning After Girls from Australia. They sound more like Shoegaze or My Bloody Valentine and Brian Jonestown Massacre. They are a really great band and Ifm very proud of their record. Even though they are from Australia, the album sounded a lot like the stuff that was coming out of New York a couple years back when we first signed them.

The third band is called Trailing Laces, they are a very young band who still have at least a year to go before they release anything and until then, they will continue doing more shows and touring in order to develop their sound. I think they sound like The Verve meets U2.

 

Youtube : The Morning After Girls - Run For Our Lives

- So do you do both the management and PR of your bands?

A; No, we have other people who will do the PR for each band. We will find individual bands the PR that we think will help them the most, so each case is tailored to the band. We are in contact with our artists everyday making sure that release schedules, touring schedules and marketing plans are all organized. We have different people working independently from the label taking on different roles, from our online person who sorts out all the press/exposure for the internet and then another person who does TV and another who does Radio. They have to really like the music as well, otherwise it would be too hard for them to try and sell it to a stranger.

 

Youtube : Trailing Laces- Twisted Head

The same goes for the international market, where we sell the license to a foreign label to distribute and they will have independent PR people who we also have to liaise with.

 

- You must get a lot of demos sent to you. What format are they being sent in nowadays? CDfs, MP3fs or via the internet?

A: I would prefer if people just sent me their Myspace to listen to. Save the planet and donft waste CDfs! I much prefer Myspace because itfs just so much easier and if you message me from your Myspace address, I will always have a look at your account.

 

Youtube : The Pistolas - Take It With A Kiss

- How do you think the internet has changed the way you do business nowadays?

A: It has changed everything. File sharing is destroying record companies right now as you just canft sell as many records anymore. I heard a statistic that 52% of all music in the US last year was stolen. That means all the bigger record labels are suffering and many more indie labels are popping up here and there. We are all hoping for new revenue streams to pop up, but until then we continue to operate at a loss. At least in Japan, I donft think people are stealing as much music as they do over here. So unless there is a change in peoplefs attitudes, we are going to have to look at other ways of creating revenue.

- Why do you think there has been a resurgence of indie bands releasing 7-inch records?

A: Because they are collectible. But, major labels are setting a precedence now as they are creating things like picture discs which may cost GBP3 to make, but they are selling them for 99p. It doesnft make sense, but it is a good way to plant a seed. People want to invest in a band because in the future, that 7-inch could be worth hundreds of pounds.

- What do you think of the current UK indie scene?
A: Itfs never been stronger. There is so much live music at the moment and itfs all affordable to watch. Any night of the week, there will be a great band playing live. The irony is that there is so much great music and everyone can go watch amazing bands but no-one wants to buy the music.

- Any future plans you want to share with us?

A: We are trying to find a suitable venue to open up the first Barfly in Tokyo which will be great. 10 years ago, Western acts in Japan made up maybe only 5% of the market, but now that figure is up to 25%. So the awareness of Western bands has risen and so has the market share so we are interested in tapping into that more.

Also, like I said earlier, we are in the middle of trying to sign a couple more bands, The Pistolas and Johnny Foreigner. Both of these bands have such a great sound but I donft want to say too much about them before we have actually done the deal!

Best Before Records : www.bestbeforerecords.com


Photos by Toshimi Takaishi
Written by Selph

     

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