Sarah Pulvertaft

Interview with Sarah Pulvertaft

- Can you tell us a little bit about yourself as a jewellery designer/maker and your brand?

 

S: Ifve had my own workshop since 1995 and for the majority of that time have worked in Londonfs creative heartland, Clerkenwell. I now have a workshop on the edge of a beautiful forest in the Oxfordshire countryside.

 

My work and working processes have evolved over the years. I began at the fashion end of the spectrum, designing two collections of jewellery a year and exhibiting at London Fashion Week and exporting to the US and Japan. I now work also at the other end of the spectrum creating pieces that are exploratory and evolve more gradually.

Ifve completed many private commissions, such as a commission for a charm bracelet for Harry Potter author JK Rowling which she has been regularly photographed wearing. Business entrepreneur Deborah Meaden is sporting a ring from my recent Seeds Collection in the current BBC series of Dragonsf Den, which she bought from one of my London stockists Gill Wing Jewellery.

 

- What actually made you get into jewellery designing?

 

S: I have always wanted to be a designer and when I was introduced to the practical aspects of making jewellery on the first year of my Art degree course I was hooked.

 

- How would you describe your style?

 

S: I use traditional jewellery-making techniques to create contemporary jewellery, which is paradoxically decorative and minimal.

 

- What were your initial concepts for your latest collection?

 

S: I wanted to try and express something about the natural worldsf complexity in abstract form.

 

- What/who would you say is your strongest source of inspiration?

 

S: I draw inspiration from many sources, including the visual art-world.

 

 

Ifve recently been looking a lot at Japanese woodblock images, loving their economy of line and freshness of colour.

 

- What is the most important facet to pay attention to in your jewellery?

 

S: Repetition of forms, often with a kinetic element. I find these things really pleasing.

 

- Do you have any favourite materials and special techniques you enjoy using?

 

S: I love working in metal and using simple techniques in such a way as to build something complex. It is this contrast which interests me.

 

- What are your opinions on the current European jewellery/fashion scenes?

 

S: I think itfs incredibly diverse and I enjoy looking at work from both ends of the technological spectrum; those using cutting edge technology and those using and sometimes subverting traditional techniques.

 

- What are your plans and goals for the near and distant future?

 

S: I want to make ever more technically challenging work. Recently I have been exploring the effect of changing scale in my finished works, such as making large discs filled with a myriad of small moving cubes.

- Do you have some words of wisdom for any young designers and our readers?

 

S: Keep moving forward. I would say that itfs never too late to start doing something that you want to do and that you must be fearless in the pursuit of your dreams.

 

Written by Nashrin Azad

     

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