'The Light Surgeons operates as a multi media production company
from a base in east London, producing a wide variety of creative
projects from the commercial to artist lead. Their work spans many
diverse mediums; print, photography, motion graphics, short films,
exhibitions and installations. Over the past ten years they have
helped to pioneer new forms of cross platform practice, particularly
with their audio visual performances, expanded cinema projects and
installations.' - The Light Surgeons
- Can you tell us about yourself, as a moving-image
artist? Also, could you give us a brief rundown as to who and what
The Light Surgeons are?
C: My name is Chris Allen and I'm the director and founder of the
Light Surgeons. We are a multi-disciplinary company, based in East
London that has been running for about 12 years. Basically, it brings
together different groups of artists and film-makers as well as
crossing different disciplines like graphic design and photography
to collaborate on projects; from installations to exhibitions, to
VJ-ing to short-films. The Light Surgeons has had many people work
under this name over the years and we really don't want to pigeon-hole
ourselves into one specific type of art or visuals company. We try
to cover a variety of roles and tasks and try to offer a wide range
of creative services.
My role within the company is the director, but
I also help to produce projects and I'm also an artist and will
collaborate with other artists on projects. My actual background
lies in photography and graphic design.
- Tell us about some of the highlight projects you have worked
on.
C: It probably has to be some of our performance based work which
encompasses some of our film making as well. We did a lot of nightclub
work in the early to mid 90's, from working with clubs like the
Blue Note and also working with independent labels like Mo Wax and
Ninja Tune.
Our early work was based around a lot of film and
used many different analogue sources like slide projection, 16mm
film and Super 8 and it was fun trying to work within the limitations
of these mediums. We sampled and re-sampled a lot of film and tried
to put them together with graphic design and as we started to work
with more bands, we started to create more original performance
based work. Musicians we have worked with include the Propellerheads,
Herbaliser, Sneaker Pimps and Cornershop. It allowed us to work
on projects that were more linear, time-based and in synch with
the music.
youtube : The Herbaliser / Wall Crawling Giant Insect Breaks
Moving away from sampling gave us more scope to
try out more installation based work, using field recordings and
original film that we had shot. We did an exhibition in 2006 at
the ICA in London, called ''Stealing Beauty'' and this inspired
us to try out more music-driven documentary type film and led to
us working with One Dot Zero on a show and several short films.
One of the projects was called ''All Points Between'' and we were
able to take this on tour to many film festivals and museums around
the world.
youtube : All Points Between
>
- You have such a rich library of film and images.
Where do you find all of them?
C: Originally, we just sampled things that we loved and were inspired
by, so a lot of it was taken from cult cinema and classic films.
In those days, we didn't have Final Cut Pro or digital cameras.
We would hire out the video from a rental shop and then play the
video frame by frame whilst filming the TV screen using a 16mm camera
at one second exposures. Through that process, we could distort
and grade the colour; something that computers allow us to do today
very easily. Nowadays we concentrate more on gathering material
that we have already shot ourselves and using sound samples that
we have recorded, like field recordings and interviews we have done.
I still think sampling is relevant to this day and
age but as we have matured, we feel that sampling should be used
for a reason and not just because it may be aesthetically pleasing;
it should try and help to make a point and communicate ideas.
- What Software/Hardware are you using when playing live Audio-Visual
performance?
C: Currently, we are touring a project called ''True Fictions'',
which is a commissioned Audio-Visual piece that was made last year
in America.
youtube : True Fictions / New Adventures in Folklore
It aimed to explore the truths and myths through
a series of interviews with the people of New York state as well
as native Americans. Technically, we used slides and 16mm film and
on stage there is a thin sheet that goes across the whole stage
with three separate sources of video. Two video sources join up
at the front of the screen which are back-projected and then one
screen that is projected at the back of the stage. By doing this,
it enables us to create a very three-dimensional effect on stage
by moving images from one screen to another. We use Ableton Live
to trigger our sounds, live musicians, Pioneer DVJ's & Edirol
V4. We don't like to only use laptops and prefer to use a load of
different things as we feel it makes it more of a performance and
more like a live band might be.
- Any future plans that you are allowed to tell
us about?
C: We want to get our work published more, so it can be seen by
more people and develop this large cinema type of work that we have
been making. So we are hoping to publish the ''True Fictions'' project
as a DVD and try to make innovative projects out of that with other
artists doing re-mixes of our original video. There will be an interactive
website going live sometime soon that will allow members of the
public to access certain parts of the project to remix themselves.
youtube : Moion Grahics Stich Up
We want to work out in Iran next year which I think
will be fascinating as well as trying to do more feature length
documentary film work. As we are starting to be taken more seriously
by institutions around the world, there seems to be more and more
scope to do work outside of the UK and this means that the next
few years will be really exciting!